I remember the first time I saw Artemesia Gentileschi’s Judith Beheading Holofernes. It was in my European history class in high school. I was astounded. Should a woman be doing that, I wondered? At the same time, I was intoxicated by her display of female power. In the painting, a woman has seduced a general to help her people, who are besieged by the Assyrians; and she is beheading him. Although Judith grimaces slightly, she and her handmaid seem relatively emotionless as they are going about this brutal task. The general Holofernes, completely drunk, has no time to react, and a cruel spurt of blood ejects from his neck. Judith looks like she’s slicing a large piece of meat. Her cleavage shows, underscoring the power of her sexuality as she exacts revenge and helps to free her people. Continue reading
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